A blog about writing and all things story…
I know, I’m a blogging maniac today. 3 posts in one hour. I forgot to add this from local UW instructor, Scott Driscoll, and author of Better You Go Home, a novel. He has a new class coming up this summer. (I’ll be there) and
here’s the info if you care to join us at the Phinney Neighborhood Center.
Class runs Wednesday nights for six weeks, June 17th through July 15th, with a final class on Aug. 12th. We will
meet at the Phinney Neighborhood Center. Please see details and registration information below.
Summer 2015 Writing Seminar: “How to Train Your Voice,” and “How to Get the Most Value Out of Inciting Incidents.” These sound like separate topics, but they are the most asked about concerns and there is an important point of intersection.
When we talk about “voice” we typically talk about the sound and emotional feel of a limited character’s identity as revealed in language. Is it familiar enough? Heated enough with emotion? Does it sound like the character? But “voice” is more than that. What we are really talking about is the language used to tell the story and there are three “voices” that can do that work: 1) a flaneur; 2) an objective observer; and 3) the free indirect discourse that flows from the interior world of a character. In this class we’ll look at multiple examples of all three and practice blending all three to achieve desired effects.
A character’s progress in the story can be measured by what is revealed by actions taken under pressure. The original source of pressure flows out of the Inciting Incident that disturbs the balance of forces in the familiar world and sets in motion a Quest. We will look at best ways to use inciting incidents to generate a story. We will also look at how the reader’s perception of the character’s progress on the quest is controlled by varying applications of voice.
Each week the syllabus will include suggested writing assignments. Some will be drawn from What If (the 2010 Third Edition). Everyone is invited to bring in one story or novel chapter for workshopping in the final two weeks. There will be time for one or maximum two pieces to be workshopped in each of the earlier weeks.
Required texts: 1) There’s Something I want You To Do, a collection of stories by Charles Baxter, Pantheon 2015, ISBN: 978-1-101-87001-3; 2) No One Belongs Here More Than You, a collection of stories by Miranda July, 2007, Scribner, ISBN: 978-0-7432-9941-1; 3) Best American Short Stories 2014; and 4) Goldfinch, by Donna Tartt Back Bay Books (2015 paperback reprint edition), ISBN: 978-0316055444.
Class meets: 6 Wednesdays, 7-9:30 p.m., June 17 through July 15; final class Aug. 12.
Where?: Phinney Neighborhood Center, 6532 Phinney Ave. N., Room 6, Building A (Blue Building upstairs). Call (206) 783-2244 for directions.
To reserve a spot in the Phinney Neighborhood Center summer course, please contact Scott about your deposits. mail a $50 deposit. The deposit will be deducted from the course fee. Early sign-up is encouraged. Please send me an email at sdriscol AT uw.edu to confirm that you are planning to sign up.
Get Your Writing Published: April 28, 2018
Social Media Training for Authors SITE CURRENTLY UNDER CONSTRUCTION
Feature Screenplay, TV Screenplay, Short Screenplay, Novel, Stage Play, Short Story, Poem, Film, Festival and Contest Reviews
Book Reviewer, Avid Reader and Bookworm. Campaigning to link more readers to writers. People do not forget books that touch them or excite them—they recommend them.
~ connecting through story ~
Sharing writing tips, information, and advice.
By Miri Elm
Social Media Marketing & More...
(re)Living History, with occasional attempts at humor and the rare pot-luck subject. Sorry, it's BYOB. All I have is Hamm's.
Walking the Oregon Coast on a Pilgrimmage for Prayer
The 24 hours Writing Hotspot and Hang Out
The Ridges of Intertextuallity
Let's Get Digital